I was given my first camera at the age of ten; discounting some tuition by my father – a talented and prolific amateur in his own right – I received little in the way of formal photographic training, studying classics and adopting a hands on, autodidactic approach to making images.

Following an early stint as a staff photographer on music magazines, I moved on to colour work, turning my attention to personal projects which revolve around themes of memory, place and transience, and the mapping of an inner geography where physical locations, subjective experience and liminal impressions fuse to create images often tinged with a sense of the uncanny.